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El regreso: (Back)
El regreso: (Back)
El regreso: (Back)
Libro electrónico63 páginas52 minutos

El regreso: (Back)

Calificación: 3.5 de 5 estrellas

3.5/5

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Jojo ha regresado, recién liberado de la cárcel, y los vecinos están otra vez tensos y asustados. Todos se preguntan si algún día andarán caminando por ahí y se toparán con Jojo, que los tratará mal o abusará de ellos por pura diversión. Ellos desearían que Jojo se fuera lejos y que no volviera nunca más. Pero hay otros que quisieran que algo malo le pasara a Jojo. Algo de verdad muy malo.

Ardell Withrow es uno de ellos.

Jojo's back from jail, and people are tense and afraid all over again. They wonder if his friends will start showing up again. They wonder if they'll be walking down the street one day and they'll run into Jojo and Jojo will give them attitude or shove them around, just for fun. Jojo's friends have a way of making it hard-really hard-on people who decide to press charges against Jojo. Those people just wish Jojo would go away and never come back. Then there are the people who have hate in their hearts. These people wish something bad would happen to Jojo. Something really bad.

Ardell Withrow is one of those people.
IdiomaEspañol
Fecha de lanzamiento1 nov 2011
ISBN9781554699759
El regreso: (Back)
Autor

Norah McClintock

Norah McClintock won the Crime Writers of Canada's Arthur Ellis Award for crime fiction for young people five times. She wrote more than sixty YA novels, including contributions to Seven (the series), the Seven Sequels and the Secrets series.

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Calificación: 3.5 de 5 estrellas
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  • Calificación: 4 de 5 estrellas
    4/5
    I read the Spanish language version, "El Regreso," published in 2011.

    This Spanish translation of a novel originally written in English accurately portrays how continuous thoughts of revenge, along with a mob mentality, chase away all reason and blur the choices between right and wrong. It invites class discussion, and will stay with readers long after the last sentence has been read.
  • Calificación: 2 de 5 estrellas
    2/5
    McClintock, Norah. Back. Custer, WA: Orca Book Publishers, 2009.Characters: the narrator (remains nameless throughout the story); Jojo; Shana; Ardell; Jojo’s mother; Ardell’s mother and fatherSetting: Unspecified urban/working class neighborhood somewhere in the United StatesTheme: Crime drama, Genre: Young adult fiction; hi-lowGolden Quote: “…there are the people who have hate in their hearts. These people wish something bad would happen to Jojo. Something really bad. Ardell Withrow is one of those people.Summary: After serving time for a violent crime, Jojo returns to the neighborhood and tries to take his life back.Audience: reading level: 4th; age range level: 9th grade and up Curriculum ties: Anticipatory Set: Read chapter 1 to students and ask them to make a list of facts about the characters, the setting and the situation. Ask students to make a prediction log, which they will use throughout the reading of the book. On one side of the log, have students make predictions about what could happen based on the facts. On the other side, ask students to provide rationales for each of their predictions. As students continue reading the novel, have them make additional entries in their prediction log.Connecting to the World—Writing and Research Ideas • The narrator makes a wise observation in chapter 2: “Ardell has hate in his heart, and hate takes the fear out of people and replaces it with a thirst for vengeance.” Ask students to think of a time in their lives when they have either witnessed this truth personally or read about it in a news report. Ask students to write a one-page summary of the event to share with the class. Post summaries around the room.• In chapter 5, Eden’s father suggests that the family remove life support and allow Eden to try to live without the machinery that is keeping him alive. Eden has been in a coma for over two years and has no brain activity. The issue is who has the right to decide to remove life support from comatose patients? Of great concern in society today, this question has been brought to public attention by the news media in recent years. Divide the class into groups, and have students research and debate the following topic: “Family members should have the right to decide whether or not to remove a loved one from life support.” Ask a panel of administrators, the librarian and the counselor to judge the debates.Connecting to the Text—Elements of the NovelSettingThe place and time of this story is important to the action of the story. Ask students to determine the setting and write a justification for their decisions about when and where this story occurs, explaining why the setting is key to the story.IronyThe reader knows what JoJo is doing to help his mother; the reader sees that JoJo is a changed man. At the end of chapter 12, the narrator’s mother states, “But he’s making up for it now, without anyone watching him, without anyone knowing.” Ask students to define dramatic irony and to find examples throughout the novel of what the narrator and readers know that Ardell and the community do not know. Have students select one example and create a cartoon strip illustrating the irony.ConflictThe conflict between JoJo and Ardell moves the story forward, and Shana adds interest. How does the phrase “an eye for an eye” apply to these three characters, as well as to Benjamin and Eden? Ask students to draw an illustrated web, making the connections and showing the depth of conflict. Have students add pictures, symbolic representations and elements of color to convey the conflicts.Point of ViewThe story is told through the voice of a narrator, reporting the events as they happen, interjecting her emotions and opinions about what is taking place. The reader does not ever truly know what JoJo thinks or feels. Occasionally, the reader hears what Shana and Ardell say, but not the emotions they feel or what they think. Ask students to select one of these three characters and, with a partner, choose a scene in which they interact. Have them rewrite the dialogue from that character’s point of view. Then ask students to rehearse and present their new scenes to the class.Connecting to the Students—Discussion Questions1. The reader does not know what or how JoJo feels about his past actions from what he says, only from what he does. Based on his actions, what is JoJo’s attitude about his past? What does he do to let the reader know how he has changed?2. Before JoJo was sent to jail, he terrorized the town, so the townspeople had their reasons to fear him and treat him badly. What could JoJo have done to show that he had changed?3. Ardell is understandably angry and bitter toward JoJo. What does his anger do for him? How does it help or hinder him? How does Ardell use his anger to control others in his family and his community?4. Why does Ardell’s father move out of the house? Was the move more Ardell’s idea or his mother’s? Why?5. Why is Shana able to forgive JoJo and allow him to see their son? Why are Shana’s parents not so forgiving?6. How does gossip fuel the anger in Ardell and the hatred the community feels toward JoJo? Why is no one willing to give him a second chance? To even talk to him or his mother?7. Why are the people in the community willing to forgive and even cover up for Ardell and his actions, but not JoJo’s actions?8. After Ardell assaults Shana, shakes her baby and resists arrest, the community continues to blame JoJo. The people say, “They should have locked JoJo up longer.” And, “If he hadn’t come back here, none of this would have happened.” Why is it easier for them to blame JoJo than to hold Ardell responsible for his actions?9. The narrator is a passive observer throughout the story. Why doesn’t she involve herself? What are her feelings toward JoJo? Would it have made a difference to JoJo if he had known how she felt? 10. Why does the narrator finally decide to call the police about what she sees the night JoJo is killed? What will her decision cost her and her family?Awards: None for this book in particular, but author is a five-time winner of the Crime Writers of Canada's Arthur Ellis Award for Best Juvenile Crime NovelPersonal response: Back is a story about a young man, Jojo, who is back from serving time in prison for a crime that left another boy (Eden) in a vegetative state. When he is released, Jojo returns to his neighborhood where almost everyone despises him and Eden’s older brother, Ardell, wants Jojo to pay for his crime against his brother. While there is some intense, action packed moments in this book, I was overall unimpressed with the plot and characters. Both were underdeveloped to me and the ending is just okay. Overall there is nothing that is particularly special about this book, but I do see how it could be appealing to a reluctant reader or to a reader who may come from a similar situation.

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El regreso - Norah McClintock

El regreso

Norah McClintock

Traducido por

Eva Quintana Crelis

ORCA BOOK PUBLISHERS

D.R. © 2009 Norah McClintock

Derechos reservados. Prohibida la reproducción o transmisión total o parcial de esta obra por cualquier medio o método, o en cualquier forma electrónica o mecánica, incluso fotocopia o sistema para recuperar información, conocido o por conocerse, sin permiso escrito del editor.

Catalogación para publicación de la Biblioteca y Archivos Canadá

McClintock, Norah

[Back. Spanish]

El regreso [electronic resource] / Norah McClintock.

(Orca soundings (Online))

Translation of: Back.

Type of computer file: Electronic monograph in PDF format.

Issued also in print format.

ISBN 978-1-55469-974-2

I. Title. II. Title: Back. Spanish.

III. Series: Orca soundings (Online)

PS8575.C62B3318 2011A     JC813'.54     C2011-903520-0

Publicado originalmente en Estados Unidos, 2009

Número de control de la Biblioteca del Congreso: 2011929402

Sinopsis: Después de cumplir una condena por un crimen violento,

Jojo vuelve a su vecindario y trata de recuperar su vida.

La editorial Orca Book Publishers está comprometida con la preservación del medio ambiente y ha impreso este libro en papel certificado por el Consejo para la Administración Forestal®.

Orca Book Publishers agradece el apoyo para sus programas

editoriales proveído por los siguientes organismos: el Gobierno de Canadá

a través de Fondo Canadiense del Libro y el Consejo Canadiense de las Artes,

y la Provincia de Columbia Británica a través del Consejo de las Artes

de Columbia Británica y el Crédito Fiscal para la Publicación de Libros.

Portada diseñada por Teresa Bubela

Imagen de portada de Getty Images

www.orcabook.com

Impreso y encuadernado en Canadá.

14 13 12 11 • 4 3 2 1

Para mi querida

amiga Frieda Wishinsky.

Contents

Capítulo uno

Capítulo dos

Capítulo tres

Capítulo cuatro

Capítulo cinco

Capítulo seis

Capítulo siete

Capítulo ocho

Capítulo nueve

Capítulo diez

Capítulo once

Capítulo doce

Capítulo trece

Capítulo catorce

Capítulo quince

Capítulo dieciséis

Capítulo uno

Estamos en verano y yo estoy inmovilizado con un tobillo roto. Estoy pensando que me espera el verano más aburrido de mi vida hasta que me llega el rumor de que Jojo Benn va a regresar a vivir con su madre. Todo el mundo sabe que va a volver desde unos pocos días antes de que aparezca por aquí, pues su madre se lo cuenta a la mamá de Megan Dalia. La mamá de Megan se lo dice enseguida a todos los demás, a pesar de que asegura que no culpa a la madre de Jojo por lo que él hizo. Mi madre tiene otra opinión. Dice que la madre de Jojo siempre fue demasiado blanda con él. Dice que Jojo habría sido diferente si lo hubieran tratado con mano dura.

Cuando regresa, Jojo tiene veinte años. Mientras esperamos, todos nos preguntamos si llegará en taxi o si uno de sus viejos amigos, a los que no se les ha visto demasiado por aquí desde que Jojo se fue, le dará un aventón hasta la casa de su madre.

Pero no llega ni en taxi ni en auto. En lugar de eso, un autobús se detiene al final de la calle y de él se baja Jojo. Lleva una maleta. Es más alto de lo que todos recordábamos. También se ve más pesado. Hay gente que dice que es por toda la mala comida que le deben haber dado en la cárcel. Otros dicen que se supone que los presos pueden hacer pesas. Y resulta que así es: cuando Jojo pasa frente a mi casa cargando su maleta, veo en sus brazos unos músculos que nunca antes había visto.

Jojo no mira a nadie, pero no hay duda de que todos lo miran a él. Camina hasta la casa de su madre y toca el timbre. Alguien abre la puerta y él entra. Después de eso —sólo después de eso—, los vecinos dejan sus terrazas, se reúnen en la calle y empiezan a hablar.

Hay mucha gente que no puede creer que Jojo haya tenido el descaro de volver a nuestro vecindario. Hay todavía más gente que no quiere tenerlo cerca. Desde que se fue, las cosas no han sido precisamente tranquilas. Las cosas nunca son muy tranquilas en mi barrio, pero al menos durante los últimos dos años la gente no ha tenido que preocuparse por Jojo.

Yo lo conozco, pero no muy bien. Vive en la misma fila

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