even millennia of art history under one roof. That is the ambitious offer that has turned TEFAF, the European Fine Arts Fair, into the most renowned and influential event of the art, design and antiques sector in 35 years of history. A venture that not only adheres to the warm haven that the southern Dutch town of Maastricht, the event's unfailing host, has offered during this time, but which has also been mirrored in the city of New York with a subsidiary focused on modern and contemporary art. A foundation cemented in perennial prestige and global leadership and whose personality can only be defined by the sheer number and experience of the dealers who bring their objects to these events. “The quality of our events is determined by the quality of our exhibitors and our immaculate research process,” Hidde van Seggelen (Utrecht, 1972) tells
