Just like in most English manor houses, the journey to Houghton Hall unfolds along a lengthy path, meandering through vast gardens that boast a remarkable feature: herds of deer gracefully roam the grounds. Built in 1720 in the Anglo-Palladian style for Britain's Prime Minister, Sir Robert Walpole, this magnificent residence is now owned by David Cholmondeley, the seventh Marquess of Cholmondeley.
However, neither of these historical figures takes center stage during a visit to this estate. The true protagonist is Sean Scully, acclaimed as the foremost abstract artist of our time, who presents his masterpieces within the domains of a family whose origins bear little resemblance to his own humble beginnings. A staff member graciously guides us to the designated parking area, leading us towards the entrance where we are warmly greeted with a glass of champagne. Once we step foot into the vast gardens, I catch sight of Sean Scully himself, seated on a bench, quietly observing how the guests at the inauguration interact with his sculptures scattered throughout the labyrinthine corners of this stately home.
Although Sean
